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 Post subject: QUINCY JONES
 Post Posted: Fri Nov 07, 2008 6:48 pm 
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Over the years i used to day-dream of all the famous artists, living or deceasded that i would have like to met and simply 'chewed the fat' with. People like Marvin Gaye, Sam Cooke, Ottis Reading would spring to mind but the one that used to constantly float around in my head was the legend Quincy Jones.Lets have a look at the history of the man....

An impresario in the broadest and most creative sense of the word, Quincy Jones’ career has encompassed the roles of composer, record producer, artist, film producer, arranger, conductor, instrumentalist, TV producer, record company executive, magazine founder and multi-media entrepreneur. As a master inventor of musical hybrids, he has shuffled pop, soul, hip-hop, jazz, classical, African and Brazilian music into many dazzling fusions, traversing virtually every medium, including records, live performance, movies and television.

Celebrating more than 50 years performing and being involved in music, Quincy’s creative magic has spanned over six decades, beginning with the music of the post-swing era and continuing through today’s high-technology, international multi-media hybrids. In the mid-50’s, he was the first popular conductor-arranger to record with a Fender bass. His theme from the hit TV series Ironside was the first synthesizer-based pop theme song. As the first black composer to be embraced by the Hollywood establishment in the 60’s, he helped refresh movie music with badly needed infusions of jazz and soul. His landmark 1989 album, Back On The Block–named “Album Of The Year” at the 1990 Grammy Awards– brought such legends as Dizzy Gillespie, Ella Fitzgerald, Sarah Vaughan and Miles Davis together with Ice T, Big Daddy Kane and Melle Mel to create the first fusion of the be bop and hip hop musical traditions; while his 1993 recording of the critically acclaimed Miles and Quincy Live At Montreux, featured Quincy conducting Miles Davis’ live performance of the historic Gil Evans arrangements from the Miles Ahead, Porgy and Bess and Sketches of Spain sessions, garnered a Grammy Award for Best Large Jazz Ensemble Performance. As producer and conductor of the historic “We Are The World” recording (the best-selling single of all time) and Michael Jackson’s multi-platinum solo albums, Off The Wall, Bad and Thriller (the best selling album of all time, with over 46 million copies sold), Quincy Jones stands as one of the most successful and admired creative artist/executives in the entertainment world.

His 1995 recording, Q’s Jook Joint, again showcased Quincy’s ability to mold the unique talents of an eclectic group of singers and musicians, in what resulted in a retrospective of his broad and diverse career from that of a seasoned Jazz musician, to skilled composer, arranger, and bandleader, to acclaimed record producer.

A reference to the backwoods club houses of rural America in the 1930’s, 40’s, and 50’s, the platinum selling Q’s Jook Joint featured performances by artists such as Bono, Brandy, Ray Charles, Phil Collins, Coolio, Kenny “Babyface” Edmonds, Gloria Estefan, Rachelle Ferrell, Aaron Hall, Herbie Hancock, Heavy D., Ron Isley, Chaka Khan, R. Kelly, Queen Latifah, Tone Loc, the Luniz, Brian McKnight, Melle Mel, Shaquille O’Neal, Joshua Redman, the Broadway musical troupe Stomp, SWV, Take 6, newcomer Tamia, Toots Thielemans, Mervyn Warren, Barry White, Warren Wiebe, Charlie Wilson, Nancy Wilson, Stevie Wonder, Mr. X, and Yo-Yo, among others, and garnered seven Grammy nominations. His recording, From Q, With Love, featured a collection of 26 love songs that he recorded over the last 32 years of his more than 50 year career in the music business.

Quincy Jones was born on March 14, 1933, in Chicago and brought up in Seattle. While in junior high school, he began studying trumpet and sang in a gospel quartet at age 12. His musical studies continued at the prestigious Berklee College of Music in Boston, where he remained until the opportunity arose to tour with Lionel Hampton’s band as a trumpeter, arranger and sometime-pianist. He moved on to New York and the musical “big leagues” in 1951, where his reputation as an arranger grew. By the mid-50’s, he was arranging and recording for such diverse artists as Sarah Vaughan, Ray Charles, Count Basie, Duke Ellington, Big Maybelle, Dinah Washington, Cannonball Adderly and LeVern Baker.

In 1957, Quincy decided to continue his musical education by studying with Nadia Boulanger, the legendary Parisian tutor to American expatriate composers such as Leonard Bernstein and Aaron Copeland. To subsidize his studies he took a job with Barclay Disques, Mercury’s French distributor. Among the artists he recorded in Europe were Charles Aznavour, Jacques Brel and Henri Salvador, as well as such visitors from America as Sarah Vaughan, Billy Eckstine and Andy Williams. Quincy’s love affair with European audiences continues through the present: in 1991, he began a continuing association with the Montreux Jazz and World Music Festival, which he serves as co-producer.

Quincy won the first of his many Grammy’s in 1963 for his Count Basie arrangement of “I Can’t Stop Loving You.” Quincy’s three-year musical association as conductor and arranger with Frank Sinatra in the mid-60’s also teamed him with Basie for the classic Sinatra At The Sands, containing the famous arrangement of “Fly Me To The Moon,” the first recording played by astronaut Buzz Aldrin when he landed upon the moon’s surface in 1969.

When he became vice-president at Mercury Records in 1961, Quincy became the first high-level black executive of an established major record company. Toward the end of his association with the label, Quincy turned his attention to another musical area that had been closed to blacks–the world of film scores. In 1963, he started work on the music for Sidney Lumet’s The Pawnbroker and it was the first of his 33 major motion picture scores. In 1985, he co-produced Steven Spielberg’s adaptation of Alice Walker’s The Color Purple, which won eleven Oscar nominations, introduced Whoopi Goldberg and Oprah Winfrey to film audiences, and marked Quincy’s debut as a film producer. In 1991 Quincy helped launch NBC-TV’s hit series, The Fresh Prince Of Bel Air, for which he acts as an executive producer.

In 1990, Quincy Jones formed Quincy Jones Entertainment (QJE), a co-venture with Time Warner, Inc. The new company, which Quincy served as CEO and chairman, had a broad ranging, multi-media agenda which encompassed programming for current and future technologies, including theatrical motion pictures and network, cable and syndicated television. QJE produced NBC Television’s Fresh Prince Of Bel Air (now in syndication), and UPN’s In The House and Fox Television’s Mad TV. Quincy Jones, is also the publisher of VIBE Magazine (as well as founder), SPIN and Blaze Magazines.

In January 1992, Quincy Jones executive produced the An American Reunion concert at Lincoln Memorial, an all-star concert and celebration that was the first official event of the presidential inaugural celebration and drew widespread acclaim as an HBO telecast.

On March 25, 1996, Quincy Jones, executive produced the most watched awards show in the world, the 68th Annual Academy Awards. The show received widespread acclaim as one of the most memorable Academy Award shows in recent years.

In 1997, Quincy Jones formed the Quincy Jones Media Group. QJMG’s feature film projects in development include such highly anticipated films as the adaptations of the Ralph Ellison novel Juneteeth, David Halberstam’s The Children for Home Box Office in association with producers Kathleen Kennedy and Frank Marshall, a bio-pic on the 19th century Russian poet Alexander Pushkin, Pimp and Seeds of Peace for Showtime, among others. For television, QJMG is developing the sit-com The White Guy. QJMG is also active in live entertainment, direct response marketing, and cross-media projects for home entertainment and educational applications. Jones is currently collaborating with Leslie Bricusse on the libretto and songs for a Broadway play based on the life of Sammy Davis, Jr. and recently, along with Harvard University and MicroSoft, produced the complete encyclopedia of African and African-American culture, Encarta Africana.

As a record company executive, Quincy remains highly active in the recording field as the guiding force behind his own Qwest Records, which currently boasts such important artists as New Order, Tevin Campbell, Andre Crouch, Gregory Jefferson and Justin Warfield. New Order’s album, Substance earned Qwest a gold album in 1987. Tevin Campbell’s T.E.V.I.N was both a critical sensation and major commercial success, and the label’s release of the Boyz N The Hood soundtrack album was among the most successful soundtrack recordings of 1991. Qwest Records has also released soundtrack albums from the major motion pictures Sarafina! and Malcolm X.

In 1994, Quincy Jones led a group of businessmen, including Hall of Fame football player Willie Davis, television producer Don Cornelius, television journalist Geraldo Rivera and businesswoman Sonia Gonsalves Salzman in the formation of Qwest Broadcasting, a minority controlled broadcasting company which purchased television stations in Atlanta and New Orleans for approximately $167 million, establishing it as one of the largest minority owned broadcasting companies in the United States. Quincy served as chairman and CEO of Qwest Broadcasting. In 1999, taking advantage of the rapid escalation of broadcast station values, Jones and his partners sold Qwest Broadcasting for a reported $270 million.

The laurels, awards and accolades have been innumerable: Quincy has won an Emmy Award for his score of the of the opening episode of the landmark TV miniseries, Roots, seven Oscar nominations, the Academy of Motion Picture Arts and Sciences’ Jean Hersholt Humanitarian Award, 27 Grammy Awards, and N.A.R.A.S.’ prestigious Trustees’ Award and The Grammy Living Legend Award. He is the all-time most nominated Grammy artist with a total of 79 Grammy nominations. In 1990, France recognized Quincy with its most distinguished title, the Legion d’ Honneur. He is also the recipient of the French Ministry of Culture’s Distinguished Arts and Letters Award. Quincy is the recipient of the Royal Swedish Academy of Music’s coveted Polar Music Prize, and the Republic of Italy’s Rudolph Valentino Award. He is also the recipient of honorary doctorates from Howard University, the Berklee College of Music, Seattle University, Wesleyan University, Brandeis University, Loyola University (New Orleans), Clark Atlanta University, Claremont University’s Graduate School, the University of Connecticut, Harvard University, Tuskeegee University, New York University, University of Miami and The American Film Institute. Most recently, Jones was named a 2001 Kennedy Center Honoree, for his contributions to the cultural fabric of the United States of America.

In 1990, his life and career were chronicled in the critically acclaimed Warner Bros. film, Listen Up: The Lives of Quincy Jones, produced by Courtney Sale Ross, a film which helped illuminate not only Quincy’s life and spirit, but also revealed much about the development of the African American musical tradition. Reflecting on the changes in pop music over the years, Quincy says, “If there are any common denominators, they are spirit and musicality. I go for the music that gives me goose bumps, music that touches my heart and my soul.” Over the years, Quincy Jones has reached the essence of music and art: the ability to touch people’s feelings and emotions.

In 2001, Quincy Jones added the title “Best Selling Author” to his list of accomplishments when his autobiography “Q: The Autobiography of Quincy Jones” entered the New York Times, Los Angeles Times and Wall Street Journal Best-Sellers lists. Released by Doubleday Publishing, the critically acclaimed biography retells Jones’ life story from his days as an impoverished youth on the Southside of Chicago through a massively impressive career in music, film and television where he worked beside legends such as Billie Holiday, Ray Charles, Dizzy Gillespie, Count Basie, Ella Fitzgerald and Michael Jackson, among many others. In conjunction with the autobiography, Rhino Records released a 4-cd boxed set of Jones’ music, spanning his more than 5 decade career in the music business, entitled “Q: The Musical Biography of Quincy Jones.”

A truely remarkable man. Now lets have a look at his outstanding disography;

Jump For Jones
2006
Watermelon Man
2006
At Basin Street East
2005
Plays Hip Hits
2004
The New Mixes Vol. 1
2004
The Original Jam Sessions 1969
2004
Love, Q
2004
Exodus
2003
Ultimate Collection [Fewer Tracks]
2002
Ultimate Collection
2002
Walk on the Wild Side
2001
20th Century Masters: The Millennium Collection...
2001
Back To Back
2001
Talkin' Verve
2001
Basie And Beyond
2000
Quincy Jones' Finest Hour
2000
Quincy Jones [ARC]
2000
Finest Hour
2000
From Q. With Love
1999
From Q, With Love
1999
The Reel Quincy Jones
1999
In The Heat Of The Night/They Call Me Mister Tibbs!
1998
Jazz Round Midnight
1997
In the Heat of the Night/They Call Me Mr. Tibbs
1997
Journey to Next
1996
The Pawnbroker/The Deadly Affair
1996
Greatest Hits
1996
Q's Jook Joint
1995
Pure Delight: The Essence of Quincy Jones and His Orchestra (1953-1964)
1995
The Quincy Jones Big Band, Lausanne 1960 / Swiss Radio Days, Jazz Series Vol.1
1995
This Is How I Feel About Jazz
1992
Monte Carlo 14 June 1958
1991
Walk Don't Run
1991
Back On The Block
1989
L.A. Is My Lady
1984
The Best
1982
Compact Jazz: Quincy Jones
1981
The Dude
1981
Sounds...And Stuff Like That!
1978
Body Heat
1974
Smackwater Jack
1971
Walking In Space
1969
The Italian Job
1969
Quincy Plays For Pussycats
1965
Quincy's Got A Brand New Bag
1965
Golden Boy
1964
Big Band Bossa Nova
1962
Newport '61
1961
The Quintessence
1961
Swiss Radio Days Jazz Series, Vol. 1
1960
Q Live in Paris Circa 1960
1960
The Birth Of A Band Vol.2
1959
Go West, Man!
1957

Singles
Walking In Space
2008
Slow Jams
1996
I'll Be Good to You
1990
The Great Wide World Of Quincy Jones: Live!
1959

Compilations
Cool Jazz for Hot Nights
2008
Black Music History Hits
2008
Celebrity Commercials Of The 1950s & 1960s
2008
Jazz Through The Night
2008
Jazz Superstars
2007
Jazz - Summer Vibes
2007
Jazz #1's
2007
'90s Soul Number 1's
2007
Music By Polar Music Price Winners
2007
We All Love Ennio Morricone
2007
Jazz Legends
2007
Music Legends Vol. 5
2007
Exodus
2007
Gold - '80s Dance
2006
Hi Love
2006
Jazz Big Band Collection
2006
Jazz Abroad
2006
Music From The Films Of Steven Spielberg
2005
Walk On The Wild Side
2004
Kill Bill Vol. 1
2003
Golden Treasure Series Of Jazz Superstars
2002
Golden Treasure: Jazz Superstars
2002
Ocean's Eleven
2001
Q: The Musical Biography of Quincy Jones
2001
Mellow Jazz [Crimson Productions]
2001
Heart Of Soul Classics
2000
Chanteurs-Chanteuses
2000
Erotic Experience
1999
Austin Powers: The Spy Who Shagged Me
1999
The Best Latin Party Album In The World... Ever!
1999
The Complete Johnny Mercer Songbook
1998
Classic TV Game Show Themes
1998
Too Marvelous For Words: Johnny Mercer Songbook
1998
Talkin' Verve: Groovy!
1998
Disco 54: The Studio Collection
1997
Crime Jazz: Music In The Second Degree
1997
Crime Jazz: Music In The First Degree
1997
Cocktail Mix, Vol. 4: Soundtracks with a Twist
1996
Cocktail Mix Vol. 2: Martini Madness
1996
Mercury Records Jazz Story
1995
Capitol Sings Broadway: Makin' Whoopee
1995
Capitol Sings Sammy Cahn: It's Magic
1995
Playboy's 40th Anniversary: Four Decades of Jazz 1953-1993
1993
Jazz Club: Big Band
1989
Talkin' Verve: With a Twist
1969
African Waltz
1961
The Jones Boys
1957

Guest
Thriller 25 Super Deluxe Edition

2008
Rhythms Del Mundo Cuba
Rhythms Del Mundo
2007
Best Of/20th Eco
The Brothers Johnson
2007
Soul Masters: Stormy Weather
Quincy Jones
2005
100th Birthday Bash
Count Basie
2004
Antologia
Los Tecolines
2003
The Italian Wedding

2003
Ballads
Sarah Vaughan
2002
God Bless the U.S.A.

2001
Cannonball Adderley's Finest Hour
Cannonball Adderley
2001
TV Land Crime Stoppers: TV's Greatest Cop Themes

2000
Busby Berkeley

2000
The Great Ziegfeld & Ziegfeld Follies of 1946

2000
Yes I Can: The Sammy Davis Jr. Story
Sammy Davis, Jr.
1999
Forever More: Love Songs, Hits & Duets
James Ingram
1999
1960-1964
Sarah Vaughan
1999
Mission Accomplished, Too: More Themes

1998
Miss Peggy Lee
Peggy Lee
1998
Jazz Profile
Sarah Vaughan
1998
Sprung

1997
The Jackie Wilson Story: The New York Years, Vol. 1
Jackie Wilson
1997
This Is Jazz #20
Sarah Vaughan
1996
Mission Impossible: Cult TV Themes

1996
Dizzier And Dizzier
Dizzy Gillespie
1996
Drummer Man
Gene Krupa
1996
The Jackie Wilson Story: The Chicago Years, Vol. 1
Jackie Wilson
1995
Birks Works: The Verve Big-Band Sessions
Dizzy Gillespie
1995
Something's Coming
Diva
1995
The Complete Okeh Sessions 1952-1955
Big Maybelle
1994
Boyz N the Hood

1991
The Divine...The Columbia Years (1949-1953)
Sarah Vaughan
1988
Thriller
Michael Jackson
1982
Light Up The Night
The Brothers Johnson
1980
Blues Cross Country
Peggy Lee
1966
Our Shining Hour
Sammy Davis, Jr.
1965
Crime Jazz: Music in the First Degree

1964
You're Mine You
Sarah Vaughan
1962
Misty
Sarah Vaughan
1958
For Those In Love
Dinah Washington
1955
The Art Farmer Septet
Art Farmer
1954
The Complete Paris... Vol. 2
Clifford Brown
1954
The Complete Paris Sessions Vol. 1
Clifford Brown
1953

A true legend in every sense..We salute you Q......

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 Post subject: Great Job!!
 Post Posted: Sat Nov 08, 2008 2:27 am 
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SOUL-BOY- Great Job. Excellent Biography. It took research and time, I know. Quincy was always behind the scene, but when he released that album in 1980, THE DUDE!! AHI NO CORRIDA!! James Ingram, Patti Austin. WOW!!Enjoyed each and every track. Played them too! This, in my book, was the greatest producer!! Right JAY!!!

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 Post subject: Q
 Post Posted: Sat Nov 08, 2008 6:32 am 
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That's right Pete---thanx Mike!

As a producer he has made some of my all time favorite club jamz:

"I'LL BE GOOD TO YOU", "STOMP" - Brothers Johnson
"STUFF LIKE THAT" - Quincy
"OFF THE WALL" (whole LP), "THRILLER" (whole LP), "BAD" (whole LP) - Michael Jackson**
"DO YOU LOVE WHAT YOU FEEL", "ANY LOVE" - Rufus & Chaka,
"GIVE ME THE NIGHT" - George Benson,
"RAZZMATAZZ", "BETCHA WOULDN'T HURT ME", "DO YOU LOVE ME" - Patti Austin

His 2 All Star LPs 'The Dude' & 'Back On The Block' culminated with the all time slo-jam:
"SECRET GARDEN" featuring none other than The Maestro: Barry White on the last verse!!!

Quincy Jones-a true Hall Of Famer!!!!


**I truly believe that if Quincy was not doing Michael's music there would have been NO Michael-mania in the 80s. To me Quincy was directly responsible by way of his writing & musical arrangements!!!

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 Post Posted: Sat Nov 08, 2008 7:15 pm 
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I think MJ would have been been a big sucess in his own right as he was the last of the great showmen but Jay is right when he say's that MJ woul'nt have reached the dizzy heighfs he achived without Q's production on his albums in the late 70's and during the 80's.....While working on the film THE WIZ..MJ & Q became friends and they set to work on the OFF THE WALL album...MJ also collaberated on this album with the likes of ROD TEMPERTON, PAUL McCARTNEY & STEVIE WONDER...with the aid of Q a masterpiece was born...if you wanna talk disco...this album is up there with the greats in my opinion...this album outshines THRILLER for me..a bold statement by anybody!....but i am a disco pureist and thats why OFF THE WALL gets the nod over THRILLER for me....

BTW...Q's album from 1989 BACK ON THE BLOCK is a true masterpiece. and i advise everybody to check it out if you can!

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 Post subject: MJ
 Post Posted: Sat Nov 08, 2008 7:59 pm 
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I totally agree with you Mikey!!!
'Off The Wall' was absolutely better than 'Thriller'---I like 'Bad' better than 'Thriller' also.
More melodies, more diversity, more momentum!!!

One of the highlites of my collection was the 1989 Quincy Jones 12" of "I'LL BE GOOD TO YOU" featuring Chaka Kahn---and all the remixes were the joint!!!

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 Post subject: Re: QUINCY JONES
 Post Posted: Fri Jul 10, 2009 4:07 am 
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Billie Jean's probably my all time favourite song and that's from the Thriller album but as a whole it's gotta be Off The Wall that's the greatest! Timeless music!


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 Post subject: Re: QUINCY JONES
 Post Posted: Fri Jul 10, 2009 11:04 pm 
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DJDroppedIt wrote:
Billie Jean's probably my all time favourite song and that's from the Thriller album but as a whole it's gotta be Off The Wall that's the greatest! Timeless music!


Image


Hey! DjDroppedit...
Welcome to the site and enjoy your stay here, plenty for you to explore!
When you get time, let us know a little about your background if you don't mind..
Am I right in saying that you come from a dj/remixer/producer background?

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 Post subject: Re: QUINCY JONES
 Post Posted: Sat Jul 11, 2009 10:42 am 
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HI Soul Boy!

Thanks for the warm welcome! Completely right on my background! Don't get chance to DJ as much as I used to but still work around the south of England area a bit! Been producing a lot more than I used to these days, anything to make people dance but mainly funky house! Need a bit of soul in my music! How about yourself soul-boy? what's your background?

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 Post subject: Re: QUINCY JONES
 Post Posted: Sat Jul 11, 2009 1:10 pm 
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DJDroppedIt wrote:
HI Soul Boy!

Thanks for the warm welcome! Completely right on my background! Don't get chance to DJ as much as I used to but still work around the south of England area a bit! Been producing a lot more than I used to these days, anything to make people dance but mainly funky house! Need a bit of soul in my music! How about yourself soul-boy? what's your background?


Nice to have a straight shooting young-gun on the site, makes a change fro all the old fossil's we got here..me included..Lol

Well I come from Newcastle upon tyne
For the past 20+ years I have been involved in the bar/nightclub industry in the UK. I was a dj between 1986 - 1997.I played mainly Soul, Funk, Rare Groove, Northern Soul, Classic Hip-Hop, Electro and Disco delights.. From 1997 to the present day, I moved into the management side of the industry. Just recently I gave up my job in the UK and I bought some property in Spain and I am currently looking into investing in either some bars or nightclubs for the future around Europe. Since Jan of this year, I have travelled to Amsertadam, Belgium, Lyon, Paris, Madrid, Barcelona, Mallorca, Egypt and my next port of call will to visit some of my brothers from this site..Hoping to hook up with Dj's King C & Dancer in Athens later this year and my good buddy Dj Jay Negron in Florida Music wise, my main loves are all things disco, soul and funk...

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 Post subject: Re: QUINCY JONES
 Post Posted: Sun Jul 12, 2009 9:52 pm 
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I 'll be here to welcome you bro...And i hope Jay is gonna do the same some day with his family...!

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 Post subject: Re: QUINCY JONES
 Post Posted: Tue Jul 14, 2009 6:55 pm 
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Wow Soul-Boy! That's an incredible amount of travelling! Very jealous to say the least! Absolutely love Barcelona especially! How have you found the management side of things? guessing you've enjoyed it seeing as you've been doing so for 12 years now! How'd you get into it? did you just start out on your own?

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 Post subject: Re: QUINCY JONES
 Post Posted: Mon Jul 27, 2009 11:52 am 
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DJDroppedIt wrote:
Wow Soul-Boy! That's an incredible amount of travelling! Very jealous to say the least! Absolutely love Barcelona especially! How have you found the management side of things? guessing you've enjoyed it seeing as you've been doing so for 12 years now! How'd you get into it? did you just start out on your own?


I started to get disalousioned with Dj-ing during the mid 90's. Heavy dance music that had no substance was saturating every bar and club that I worked in. My passion for spinning was lost at this stage. I had done some general bar work over the years and I had picked up a lot background knowledge of how bars and clubs operated, so when a vacancy for the position of Assistant General Manager for a nightclub that I happened to work in arose, I threw my hat into the ring. To my suprise I got the job and within 14 months I was offered the position of General Manager. So within 14 months of spinning in a club, I was now the GM. Thats basically how I got into the management side of the industry. After 12 years of sucessfully running various clubs and bars, I decided to quit my last post and start to look for a bar or club that I could invest in with my business partner. That was back in Jan of this year, hence all the travelling. The quest still continues and hopefully we will find the right aquisition soon!

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 Post subject: Re: QUINCY JONES
 Post Posted: Sun Nov 22, 2009 11:48 am 
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Hi, I've met Quincy a few months ago. :D


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If I could wish anything I want to come true, but only one thing - I wouldn't wish for all the money in the world or perfect health or world peace. I would wish to go back in time before I was born, in the 70's, in New York, to dance in DISCO era.
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 Post subject: Re: QUINCY JONES
 Post Posted: Wed Nov 25, 2009 7:57 pm 
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Disco54 wrote:
Hi, I've met Quincy a few months ago. :D



Damm!..that's a fine picture Disco54...
Give us some background info on this brother as this man is a hero of mine!

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 Post subject: Re: QUINCY JONES
 Post Posted: Wed Nov 25, 2009 8:52 pm 
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I would "give anything to have a drink with this guy..."

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